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Conference programme

* Conference programme

SCHEDULE
  • Times are tbc at the moment, please check back closer to the conference.

    3 pm:
    Mountain talk with Anne Beate Hovind and Flóra Gadó starting at Fløibanen’s Upper Station

    4.30 pm:
    Arrival and welcome drink at Fløien Folkerestaurant

    5 pm:
    Welcome by Anne Szefer Karlsen
    Word of the day by Neo Sinoxolo Musangi
    Artistic position by Damir Avdagić
    Keynote lecture by Zdenka Badovinac
    Q&A conducted by Martin Caiger-Smith

    8 pm:
    Complimentary sit-down dinner at Bergen Kjøtt

  • Conference will be at Bergen Kjøtt

    Welcome by Anne Szefer Karlsen
    Artistic position by Gladys Kalichini
    Word of the day by Neo Sinoxolo Musangi

    Morning panel (title tbc) with Carol Yinghua Lu, Frances Morris, Juan Pablo Pacheco Bejarano, Michelle Yenho Hyun, Silja Leifsdottir

    Complimentary lunch

    Afternoon panel (tba)

    Break to relocate to Bergen Kunsthall for a guided tour in the Festival Exhibition 2025: Moon Bag by Tori Wrånes and Rindon Johnson’s exhibition Find Spot

    Complimentary dinner at Landmark

  • Conference will be at Cornerteateret

    Welcome by Anne Szefer Karlsen
    Artistic position by tbc
    Word of the day by Neo Sinoxolo Musangi

    Morning panel (tba)

    Complimentary lunch

    Launch of the research report Formidling som fagfelt (Mediation as discipline) by Daniela Ramos Arias and Anne Szefer Karlsen

    Afternoon panel (title tbc) convened and moderated by Julia Moranderia Arrizabalaga (participants tbc)

    Dinner is self organised, and everyone is invited to Bergen Assembly in the evening for an informal gathering with sounds by Karolin Tampere

  • The conference will end with a workshop at Bergen Kunsthall led by Renata Cervetto and Daniela Ramos Arias together with a group of professionals whose practice flow through the curatorial and educational spheres. Time tbc.

    Complimentary lunch.

THE PROGRAMME

To read more about the programme please see here


Contributors

*

Contributors *

Anne Beate Hovind

  • WHAT IS THE PERSON CONTRIBUTING WITH

  • Coming…

Zdenka Badovinac

  • Zdenka Badovinac is invited to give the keynote lecture

  • Zdenka Badovinac has served since 1993 to 2020 as Director of the Moderna galerija in Ljubljana (since 2011 extended to include Contemporary Art Metelkova).). From 2022 to 2023 she was Director of the Museum of Contemporary Art in Zagreb. She currently works as an independent curator and author.


    In her work, Badovinac deals with historicization of Eastern European art, urgencies of contemporary art in an international world and situated modes of cultural production. She initiated the first Eastern European art collection, Arteast 2000+ at Moderna galerija, Ljubljana. She curated numerous exhibitions of international relevance, among them Body and the East—From the 1960s to the Present (1998), NSK from Kapital to Capital: Neue Slowenische Kunst – The Event of the Final Decade of Yugoslavia, Moderna galerija, 2015 Sites of Sustainability-Pavilions, Manifestos and Crypts, Hello World. Revising a Collection, Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2017; Bigger Than Myself: Heroic Voices from Ex-Yugoslavia, MAXXI, Rome, 2021, Sanja Iveković, Works of Heart, Kunsthalle Vienna (2022), MSU, Zagreb (2023); Freeing the Voices, Kunstahaus Graz (2025).

    Her most recent books are Unannounced Voices: Curatorial Practice and Changing Institutions (Sternberg Press / Thoughts on Curating), 2022 and  Comradeship: Curating, Art, and Politics in Post-Socialist Europe (Independent Curators International (ICI), New York,  2019. Founding member of L'Internationale,  a confederation of seven modern and contemporary European art institutions. President of CIMAM, International Committee for Museums and Collections of Modern Art, 2010–13. In 2020 Zdenka Badovinac receives the Igor Zabel Award for Culture and Theory.

    Image by: Borut Koranic

Juan Pablo
Pacheco Bejarano

  • Juan Pablo Pacheco Bejarano (1991) is a Colombian artist, writer, and educator submerged in the encounter between ecology, technology and spirituality. He has developed audiovisual, edible, editorial and pedagogical projects, often in collaboration with other agents, that amplify sensitive technologies beyond extraction. He has an extensive and expansive research on water ecologies, digital infrastructures, telepathy, and fermentation. Juan Pablo has worked with the Institute for Postnatural Studies, Espacio Odeón, Plataforma Bogotá, and Garage School. He has taught at the Javeriana and Andes universities in Colombia, the Royal Academy of Arts in The Hague, and Elisava Madrid. His work has been presented at venues including the Reina Sofía Museum (Madrid), Manifesta 15 (Barcelona), Jan van Eyck Academie (Maastricht), La MaMa (New York), Kunstenfestivaldesarts (Brussels), ISEA (Barcelona), Transmediale (Berlin), Galería Santa Fe (Bogotá), and the Carrillo Gil Museum (Mexico City), among others.

Manuela Moscoso

  • Coming…

Eszter
Szakács

  • Eszter Szakács is a curator and researcher. Her practice is based on collaboration, connecting networks, and building infrastructures in the arts, locally and interlocally. Szakács is the 2025 Curator of the Guest Programme of the 41st EVA International – Ireland’s Biennial of Contemporary Art. She is currently completing her PhD thesis at ASCA of the University of Amsterdam, in the framework of the project IMAGINART—Imagining Institutions Otherwise: Art, Politics, and State Transformation. She is a Tutorial Collective member of the temporary master's Lumbung Practice (2024–2026) at Sandberg Instituut, in collaboration with de Appel (Curatorial Programme), and Gudskul (Collective Study Program).

    Together with Naeem Mohaiemen, Szakács co-edited the anthology Solidarity Must Be Defended(2023). She curated the solo and research exhibition Dóra Maurer–SUMUS–We Are Together at de Appel, Amsterdam in 2023. Szakács was part of the curatorial team of the grassroots art initiative OFF-Biennale Budapest, who were lumbung members and participants at documenta fifteen in 2022. In the framework of OFF-Biennale’s participation at documenta fifteen Szakács co-curated with Daniel Baker, Ethel Brooks, Tímea Junghaus, Hajnalka Somogyi, Katalin Székely, and Miguel Ángel Vargas the exhibition One Day We Shall Celebrate Again: RomaMoMA at documenta fifteen. She was also a curatorial team member in OFF-Biennale’s second (2017) and third edition (2021), and a member of the East Europe Biennial Alliance team that collectively curated the Kyiv Biennial in 2021. Between 2011 and 2020, she worked as curator and editor at tranzit/hu, Budapest. Szakács completed her MA Curatorial Practice at the University of Bergen, Norway (2017–2019).

    Image by: Fransisca Angela

Syafiatudina
(Dina)

  • Coming…

Eva
Rowson

  • Coming…

Further contributors are announced as they are confirmed…

Renata
Cervetto

  • Coming…

Flóra
Gadó

  • More information about this contribution will be published closer to the conference dates.

  • Coming…

Martin
Caiger-Smith

  • Following the keynote lecture, Martin will engage Zdenka in a Q&A session.

  • Coming…

Michelle Yeonho Hyun

  • Michelle Yeonho Hyun makes exhibitions and events with artists and others. She sometimes writes and talks about art, among other things.  She is the founding director and curator of the Institute of Contemporary Arts (ICA) at NYU Shanghai since 2018.  She worked previously as a curator for Shanghai Project (2015-16), Gwangju Biennale (2014), and the University of California San Diego (2012-14).  She has also organized projects for the New Museum (New York, 2012), Creative Time (New York, 2011), and What, How & for Whom (WHW) (Zagreb, 2010).  

María
Berríos

  • María Berríos (MACBA) is a sociologist, editor and curator from Chile, her work focuses on contemporary art, politics, and culture in Latin America, and beyond, with special interest in collective cultural experiments and Third World movements between the 1960s and 1970s. She is co-founder of the editorial collective vaticanochico and has been a guest professor at multiple academic, cultural and self-organized institutions in Europe and Latin America. Among her recent curatorial projects are The Crack Begins Within. 11th Berlin Biennale (2020-21) curated together with Renata Cervetto, Agustín Pérez Rubio and Lisette Lagnado, and In the Jungle There Is Much to Do, Museo de la Solidaridad Salvador Allende (2022-2023). She is currently Director of Curatorial Programmes and Research at MACBA.

Federica
Baeza

  • Federica Baeza is a trans woman, researcher, and curator specialized in contemporary art. She was Director of the Palais de Glace Museum or the Argentine National Palace of the Arts supported by Argentina’s National Ministry of Culture. She is Associate Professor of Art History and Curatorial Studies at Argentina’s National University of the Arts (Buenos Aires) where she teaches undergraduate and graduate courses in contemporary art, critical theory, and curation. Previously she was the Director of the Degree in Curatorial Arts and the University Extension area in the Trans-Departmental Area of ​​Arts Criticism of the National University of the Arts (UNA). She received her doctoral and undergraduate degrees in Art History & Theory from the Department of Art History at the University of Buenos Aires (UBA). Baeza is the recipient of major national fellowships, and her work has been supported by the National Arts Foundation (FNA), the National Scientific and Technical Research Council (CONICET), and the University of Buenos Aires. As a curator, Baeza has organized major exhibitions and executed museum programming in Argentina and across Latin America. Baeza is the author and co-author of numerous monographs and peer-reviewed articles on visual arts. In her role as a curator and art historian, Baeza has also published multiple exhibition catalogs and articles on contemporary art in specialized magazines.

     

Anne
Szefer Karlsen

  • Initator, organiser and moderator

  • Anne Szefer Karlsen is a curator, writer, editor and educator who has a strong interest in artistic and curatorial collaborations as well as developing the language that surrounds art productions of today – linguistically, digitally, spatially and structurally.

    They is Professor of Curatorial Practice and currently programme director for MA Curatorial Practice at the Faculty of Fine Art, Music and Design, University of Bergen (2015–2027), and was Senior Adviser and Head of Research for Bergen Assembly (2018–2020) and Director of Hordaland Art Centre in Bergen, Norway (2008–2014).

    Curatorial and editorial projects by Szefer Karlsen will generally host an international roster of artists and other contributors. Their curatorial practice spans museum exhibitions, biennials, group and solo exhibitions addressing broad audiences – as well as discursive events, gathering communities of professionals together.

Gladys
Kalichini

  • Before the conference day starts, there will be a performance by Gladys

  • Coming…

Silja
Leifsdottir

Patrick
Flores

  • Patrick Flores is Chief Curator, National Gallery Singapore and Professor, University of the Philippines. He is the Director of the Philippine Contemporary Art Network. He was a Visiting Fellow at the National Gallery of Art in Washington, D.C. in 1999. Among his publications are Painting History: Revisions in Philippine Colonial Art (1999); Past Peripheral: Curation in Southeast Asia (2008); Art After War: 1948-1969 (2015); and Raymundo Albano: Texts (2017). He was a Guest Scholar of the Getty Research Institute in Los Angeles in 2014. He was the Artistic Director of Singapore Biennale 2019 and Curator of the Taiwan Pavilion at the Venice Biennale in 2022.

     

Karolin
Tampere

  • Coming…

Neo Sinoxolo Musangi

  • "‘Word of the day’ – musings on the words Experiences, Research and Knowledges.

    Neo will also contribute to the pre-programme hosted by Bergen Kunsthall on 25 June.

  • Neo Sinoxolo Musangi works in the fields of art and academia, with a particular interest in queer feminist discourse and research. Employing narrative as a method to explore themes related to identity, history, and the experiences of black, ‘African’, and queer bodies, their work (as research, teaching, performance, poetry, installation, and community organizing) aims to create a sometimes fictional yet experiential universe that challenges ‘traditional’ narratives and highlights the complexities of existence for those often overlooked in historical accounts. Their writing explores themes such as uncertainty, memory, failure, and the imagination of freedom. This body of work reflects an affective exploration that seeks to connect personal experiences with broader social issues.


    They engage in performances often situated in public spaces, which serve both as methods of inquiry and as actions that invite collaboration from the audience. This approach emphasizes the ‘body at risk’ and seeks to create dialogues around identity, vulnerability, and community engagement.


    Neo is a founding member of the Black Planetary Futures Collective, an initiative that focuses on envisioning alternative futures through collaborative research and artistic practices that center on black experiences and perspectives within global discourses.
    As a Senior Research Fellow at CAD+SR, Neo contributes to various research initiatives aimed at fostering critical inquiry into social justice issues through art and design thus promoting collaborative learning environments that challenge traditional educational structures. Within their role as Senior Research Fellow, Neo plays a significant role in The After School, an innovative deschooled educational initiative by CAD+SR that encourages self-organized learning among participants from diverse backgrounds. This program emphasizes global collaboration through immersive residencies that connect participants with local cultures.

    Neo also teaches in the larger fields of Gender and Sexuality (including the Politics of Development in Africa and Transgender Africa), as well as Resistance, Movements, and Social Change at American University. Their academic work has been published in edited book volumes and journals as well as included in syllabi across numerous institutions. Their artistic work has been exhibited at, among others: the York Biennale, Dakar Biennale, Kigali Photo Fest, Universiteit van Amsterdam, and University of Cape Town,!Kauru Contemporary Art.

Carol Yinghua Lu

  • Carol Yinghua LU is an art historian and a curator. She holds a Doctorate in art history from University of Melbourne. She is the director of Beijing Inside-Out Art Museum. She was the artistic director and senior curator of OCAT, Shenzhen (2012-2015), guest curator at Museion, Bolzano (2013) and the China researcher for Asia Art Archive (2005-2007). She has contributed to artist monologues, catalogues as well as a number of art journals, including e-flux journal, frieze, the Exhibitionist, Yishu, Flash Art, Contemporary, and so on. She was a contributing editor for frieze magazine (2008-2018), Chief editor for Chinese edition of Yishu: Journal of Contemporary Chinese Art (2012-2013), co-founder and co-editor of Contemporary Art and Investment magazine (2007-2010). She received Yishu Awards for Critical Writing and Curating on Contemporary Chinese Art (2016).

    She was a recipient of the ARIAH (Association of Research Institute in Art History) East Asia Fellowship (2017) and visiting fellow in the Asia-Pacific Fellowship Program at the Tate Research Centre (2013). She was the co-artistic director of Gwangju Biennale (2012) and was the co-artistic director of the 8th Yokohama Triennale with Liu Ding (2024).

    She has acted as a jury member for Hyundai Blue Prize Art + Tech (2022, 2021),

    Tokyo Contemporary Art Award (2022-2019), The Choi Foundation Prize for Contemporary Art (2022, 2021), Gallery Weekend Beijing Prize for Best Exhibition (2022, 2020-2017), Han Nefkens Foundation –Loop Barcelona Video Art Award Production (2024-2020), abC Art Book Award (2021), Rolex Mentor and Protégé Arts Initiative (2019), Hugo Boss Asia (2019), International Award for Art Criticism (2014), the Future Generation Art Prize (2012), and the Golden Lion Award at Venice Biennale (2011).

Jaleesa
Johnston

  • Jaleesa Johnston is an interdisciplinary artist, educator and curator currently living and working in the Pacific Northwest. She holds a BA from Vassar College, an MFA from the San Francisco Art Institute and an MA from the University of Bergen in Norway. Her art practice explores the ruptured space between the subjectivity and objectivity of the Black female body. She has been the recipient of the AICAD Post-Graduate Teaching Fellowship, Centrum’s Emerging Artist Residency, Open Signal’s New Media Fellowship, Performance Works NW Alembic Artist Residency and an Artist Trust Fellowship Award.  Jaleesa also works as Curatorial Coordinator in the Curatorial Department at the Portland Art Museum, where she initiated and curates an ongoing exhibition series titled Conductions: Black Imaginings. Her curatorial interests and research include the residual imprint of ephemeral works in institutional spaces, with a focus on Black performance work. 

     

Sabina
Sabolović/WHW

  • Coming soon…

Julia Moranderia Arrizabalaga

  • Coming…

Daniela
Ramos Arias

  • Daniela Ramos Arias, she/her (San José, Costa Rica, 1980) is a curator living and working in Bergen. She has a BA and an MA in visual arts from Kunsthøgskolen i Bergen and an MA in Curatorial Practice from the University of Bergen under the mentorship of Professor Anne Szefer Karlsen.

    Daniela’s curatorial practice has a strong focus on art mediation, her projects look to engage audiences and both internal (for example: collaborating artists, the team in the art institutions she works at) and external communities (for example: the people surrounding these institutions such as neighbours, passersby, diasporic groups, interinstitutional collaborators, other organisations outside of art).

    In 2019 and 2022, she led the Education and Mediation department for the Bergen Assembly. Since 2020, she has been one of the curators at Hordaland Kunstsenter and runs the mediation program where she has developed ongoing projects such as Dear Neighbour or Coffee with the Team. In 2023, she was one of the appointed curators for the 2023 edition of Norske Kunsthåndverkere Temautstilling, which was hosted at Hordaland Kunstsenter.

    Ramos is one of the founding members of the interdisciplinary space Kiosken, which presents, disseminates and mediates the work of artists, designers and artisans in the region of Vestland.  Through Kiosken, Daniela has acquired a vast knowledge in the field of contemporary craft, and design.

    As a freelance curator, she started the project TOOLBOX together with curator and cultural producer Aisel Wicab (Mx), a publication that gathers the work of artists, mediators, curators and other practitioners in the field of art mediation and community practices from Latin America, and diaspora in the Nordic Countries. Most recently, TOOLBOX was present at Momentum Biennial 12, and has been collaborating with other institutions and organisations such as Nord Norsk Kunstmuseum, Tenthaus, TEOR/éTica, Hordaland Kunstsenter and Aerial.

    Daniela is an active member of the Empathic Pedagogies Network and a member of CIMAM. She is a board member at Bergen Kunsthall, a member of the selection committee of the Norwegian Council of Arts, and part of the selection committee of Norwegian Crafts.

     

Damir
Avdagić

  • A video work by Damir will be screened before the keynote of Zdenka Badovinac.

  • Damir Avdagić (b.1987, Banja Luka, BiH) is a visual artist and educator based in Oslo, Norway. The conflict in the former Yugoslavia (1991-1995) makes up a central part of Avdagić´s family history and he uses this event as an entry point to address shifting political systems, migration and the relationship between generations through text, performance and video.

    Avdagić´s main material is words; spoken narratives which he collects through conversations with the Yugoslav diaspora. This material is then activated through various strategies of performance (re-enactments, translations, readings etc.) and developed into moving image installations. In his work, narratives become transmissible between “author” and performer. By having members of one generation perform the words and actions of another, he seeks to reflect on how history transmits between generations and echoes in the present.

    His projects have been presented in group exhibitions at Inside Out Art Museum, Beijing 2024; CAC Gallery, Irvine CA 2024; Neuer Berliner Kunstverein, Berlin 2023; GameC, Bergamo 2023; Whitechapel Gallery, London 2023; Falstadsenteret, Ekne 2023; KRAK Center for contemporary Culture, Bihac 2021; Framer/Framed, Amsterdam 2020 amonst many others. Solo exhibitions include UKS (Young Artists´Society) Oslo, 2024; North Norwegian Art Center, Svolvær, 2023 and 18th Street Art Center, Santa Monica, 2020

    Avdagić´s first artist monograph titled “Damir Avdagic, Prijenosi/Overføringer/Transmissions” presents four projects developed over ten years and features text contributions by Sabeth Buchmann, Slavenka Drakulic, Jasmina Tumbas and Mary Kelly. The book will be published on June 4th 2025 by Archive Books (Berlin/Milano/Dakar)

Frances
Morris

  • Frances Morris, CBE

    Curator, art historian and writer, Frances Morris is currently a Distinguished Visting Professor, Ewha University, Seoul, South Korea and Chair of the Gallery Climate Coalition.

    Frances was Director Tate Modern from 2016-2023.  Frances has made many exhibitions and publications, including acclaimed retrospectives of Louise BourgeoisYayoi Kusama and Agnes Martin. As Director of Collections, International Art from 2006 to 2016 Frances led the transformation of Tate’s International Collection, championing the representation of women, strategically broadening and diversifying its international reach and representation, as well as bringing photography, moving image and live art into the institution for the first time through acquisitions, displays and exhibitions.  Closely involved in Tate’s declaration of Climate and Ecological Emergency in July 2019 Frances has become a leading voice in the discussion around culture and sustainability.

    Frances’s most recent curatorial projects include Phyllida Barlow: unscripted, Hauser & Wirth Somerset and Agnes Martin: Moments of Perfection, The Sorol Art Museum, S.Korea, both in 2024.

    Frances is a Fellow of the London Centre for the Humanities, an Honorary Fellow of King’s College Cambridge, and Jesus College Cambridge, and has recently been awarded an Honorary D. Lit from the Courtauld Institute of Art. Frances  serves on advisory boards to a number of international  Museums and galleries including the Whitechapel Art Gallery, London, Mori Art Museum, Tokyo, MNAC Bucuresti and Serralves, Porto.

    Image: Hyunjun Lee

Mack
McFarland

  • Mack McFarland is an artist, curator, and educator. For the last twenty years, it has been his privilege to collaborate with many cultural producers in the process of bringing to life the shared cultural experiences that are so vital for sustaining and creating communities, while aiding us in grappling with and discerning meaning from the events of our world.  Currently Mack is the Arts Administrator in the Cultural Resources Department of the The Confederated Tribes of Grand Ronde. As an artist Mack has shared his postcards, videos, and performances at Portland Biennial- Oregon, Kaunas Biennial- Lithuania, Time Based Art Festival- Portland, OR, documenta 13- Kassel Germany, Northwest Biennial- Tacoma, WA, and many other venues and festivals. As a curator he has been fortunate to work with many artists, including commissioned projects from tactical media practitioners Critical Art Ensemble, Eva and Franco Mattes, and Disorientalism; as well as solo exhibitions with Justseeds Artists’ Cooperative, Joe Feddersen, David Horvitz, Joe Sacco, Cauleen Smith, and many others. In May 2020 he co-founded Congress Yard Projects with Ariana Jacob, an outdoor exhibition space begun in the time of physical distancing.

     

     

Cis
O’Boyle

  • Coming…

Rachel
Anderson

  • Coming…

PROGRAMME DESCRIPTION

Thursday
26 June 2025

Conference guests are invited to make their way to the top of Mount Fløyen by foot or by taking the Fløyen funicular to arrive at 3 pm or 4.30 pm.

If you arrive at 3 pm you will be greeted at the upper station of the Fløyen funicular and invited to walk a short distance into the forested area of the mountain to listen to a conversation between Anne Beate Hovind and Flóra Gadó. You will be invited to have a cup of coffee or tea and perhaps a small snack to accompany the conversation. Please dress according to the weather.

If you arrive at 4.30 pm you are invited to make your way straight to Fløien Folkerestaurant and go upstairs to ‘ToppFløyen’. Here you will be offered a welcome drink. After settling in, the programme starts with a welcome by Anne Szefer Karlsen. Neo Sinoxolo Musangi will offer their first poetic reading, dealing with the word ‘experiences’, followed by a video work by Damir Avdagic. The keynote lecture will be delivered by Zdenka Badovinac, followed by a Q&A with Martin Caiger-Smith. Our aim is to end this part of the programme between 6.30 and 7 pm.

You are then invited to make your way down the mountain (by foot or funicular) and arrive at Bergen Kjøtt no later than 8 pm for a complimentary sit-down dinner with all the contributors and guests. No dress code.

Friday
27 June 2025

Conference guests are invited to make their way back to Bergen Kjøtt at time tbc.

Words of welcome by Anne Szefer Karlsen, followed by an artistic position provided by Gladis Kalichini. There will be a short break to regroup.

Neo Sinoxolo Musangi will offer their second poetic reading, dealing with the word ‘research’.

The first panel of the conference is entitled (title tbc) with contributions by Carol Yinghua Lu, France Morris, Juan Pablo Pacheco Bejarano, Michelle Yenho Hyun, and Silja Leifsdottir. The panel will be moderated by Anne Szefer Kalsen.

There will be lunch provided for all during a one hour long lunch break time tbc.

Afternoon panel (tba)

Break to relocate to Bergen Kunsthall for a guided tour in the Festival Exhibition 2025: Moon Bag by Tori Wrånes and Rindon Johnson’s exhibition Find Spot

Complimentary dinner at Landmark

Saturday
28 June 2025

Conference guests are invited to make their way to Cornerteateret at time tbc.

Words of welcome by Anne Szefer Karlsen. Neo Sinoxolo Musangi’s will offer their third and final poetic reading, dealing with the word ‘knoweldges’, followed by an artistic position by (artist tbc).

Morning panel (tba)

Complimentary lunch

Launch of the research report Formidling som fagfelt (Mediation as discipline) by Daniela Ramos Arias and Anne Szefer Karlsen

Afternoon panel (title tbc) convened and moderated by Julia Moranderia Arrizabalaga (contributors tbc)

Dinner is self organised, and everyone is invited to Bergen Aseembly in the evening for an informal gathering with sounds by Karolin Tampere

Sunday
29 June 2025

Programme description coming…